The article also includes highlights of a fascinating discussion between the artist's associates and collaborators.
Some interesting quotes from the article:
The more intuitive approach of artists can provide a window into the complex models, calculations and simulations of the scientific world… Natural world issues require more than just a technical fix. They require systems of thinking and creativity to imagine and illustrate the best possible solutions. -- Prof. Caroline Digby from the Wits Centre for Sustainability in Mining and Industry
Sustainability is not primarily a scientific problem; rather, it requires us as citizens, communities and societies to rethink the way in which we live our personal lives… This requires engaging the hearts, minds and imaginations of a wide set of people across many different spheres of society. Artists have a particularly important role to play in this regard – not only in creating a space that can help bridge and connect between different actors, but in contributing and opening our minds to completely new ways of seeing the world and our place in it. -- Dr. Reinette Biggs of the Stockholm Resilience Institute and the University of Stellenbosch
How can art and science integrate into a discipline or collaboration that aids transformative understanding?
Art is the expression of creative ideas that are likely informed by prior knowledge but not restricted by natural, economic or social rules. Science is a knowledge that we have built through methodical enquiry over many generations into how nature, economics and society work. When art is introduced into science, it gives permission to seek different ways of addressing the same problem. It enables one to leapfrog or do a U-turn. As stated in New Roles for Art Are Clarified (Carney 2010), Tim Collins declares that, “while replicable fact is the domain of science, human perception and value are the domains of art and the humanities. – Philipp Kirsch, University of Queensland
How do such partnerships reach wider audiences?
I have been astounded by how much easier it is to interest people in the science when it is encompassed in an artwork. Before, I was only talking to the small community of people who were already thinking about these issues. People like the art – and they like the idea that the art has some scientifc substance behind it. Some, not all of them, want to know more details about our science questions and I am challenged to maintain their interest and expand it. – Sally Archibald, WITS
How can partnerships between artists and scientists contribute to resilient systems and change?
The data on climate change is indisputable, but how does one develop an emotional appreciation of the potential consequences? I think this must come through experience and art is a fantastic mechanism to develop emotional experiences and consider possibilities. – Caroline Lehmann, Biogeography, University of Edinburgh
How has an artist’s work influenced your work and vice versa?
Hannelie sometimes brings aspects that I think of as ‘outside’ the system, into the discussion. At its simplest, ecology is the study of the interactions between organisms and their environment and it is refreshing to have a different take on the shape and form of these interactions. – Sally Archibald
I started to write a conference paper about the potential to re-imagine mining overburden as a building material. To change the way that the industry framed everything as waste rock, waste dumps, waste piles etc. In researching this, I uncovered the genre of Land Art. These artists have given considerable thought to moving earth to make art. I strongly believe in the potential for artists to create not just new mine closure landscapes, but to also drive improved community relations when working side-by-side with the engineers and financial managers in mine planning and operations. – Phillip Kirsch
Read complete article here.